An artist statement by Zac Lowing
Work of Meta-Art in the Age of Symbiotic Reproduction
The flux creates, the chaos profligates. In the synoptic reality, art objects are reproductions of the imaginations of the flux -- a flux that uses the chaos as a zeitgeist to deconstruct ideas, patterns, and emotions. With the synergy of the electronic environment, the flux is superseding a point where it will be free from the chaos to consume immersions into the machinations of the delphic reality. Work of Meta-Art in the Age of Symbiotic Reproduction contains 10 minimal dhtml engines (also refered to as "memes") that enable the user to make cutting audio/visual compositions.
Measuring chains, constructing realities,putting into place forms'a matrix of illusion and disillusion,a strange attracting force
so that a seduced reality will be able to spontaneously feed on it.
Zac Lowing's work investigates the nuances of vibrations through the use of jumpcut motion and close-ups which emphasize the Symbiotic nature of digital media. Lowing explores abstract and hyper scenery as motifs to describe the idea of infinite reality. Using grinning loops, vectors, and allegorical images as patterns, Lowing creates meditative environments which suggest the expansion of space...
As an “artrepreneur”,a chaos of sticks unloaded the emotional detours that arise from over developed right hemispheres of our brain so creativity is not in short supply. A conscious drive and awareness,fully energetic and harmonious with visual ideas through the process, and with no relationship to time, the history of its surface involves connections on many levels of being exile, transplantation and shifts in philosophical paradigms.
Functional utility is non-specific, creating an inherent sense involved in their own passionate urge, what the poet Seamus Heaney once called “the music of what happens.” Of course it could be the combination, I orchestrate these sculptures by accurately, rich in the minerals that promote the growth of life stream!
The unfolding forms of design, color blending, temperature analysis, fusing, slumping, manipulating, ways of communicating the ancient codes
. Things just flow through our hands. The variations you see in the pieces come from the variations in the temperature outside or even the humidity can effect the outcome. select new thematic content in wildly different contexts, their associations and the difference of contextual perception, slavishly delving into quite deeply demonstrates an Imagist influence.
As seen through a lava lamp, maintaining the primacy of the visual without be trapped by the questions; the shift to hypo-real lifestyles or do I revel in the visceral experience of viscosity and gravity?
To those of you who read the above and understood any of it, wow. I did this back in 2009 by doing a Google search on artists statements, cut bits of pieces here and there from a bunch of them and randomly put it back together as this... thing. LOL.